Tangle pricks, 'tis true, however there're grapes among this presumed clutter. Wasted and fertile ground mix equally, without any order or logic. As for her self 'tis tiring and tedious, being always separating good from bad, barren from fruitful and although she carries grape in the ceramic platter. Signs are soft and good, howe'er weeds seems to take over all, even sprinkling to the air we breathe.
Tangle's too dry.
Act I, Scene i
[Enter TECHO with DOUBT]
TECHO
Ay, I warrant you there're too many compositional elements, tut, should suggested diagonal in turn be more ...
DOUBT
To tell you true, was considering her gaze, looking sad, fixed on something outside the frame ...
TECHO
Ha! in front of her, looking straight at her toilet handbag, at 'er jeans and cap to be changed as soon as the caption's made. Keep you sure, and fly somewhere else. As said, done and go something else. I miss a brighter light at center of the scene to ...
DOUBT
Do you think ?, O, no, no, no, not that kind, she may have been dressed in that guise at home and has left to reach the place as excited as if living in another time, going out her clothes with the ark ... her gaze now may be the end of the attempt to adapt to a place almost abandoned for us, just I do not know for 'er, or how she's feeling.
Forget for once in your life... rules which slip inadvertently through our senses, without any analysis. Yes, do, do, do.
You'd know if fullness is reached in the image, just by taking a look, right? ... ay do, do, do, and why grape ?, why not beans or tomatoes? ha?
TECHO
What matters vegetables, fruit! or whatever the fuck 'tis ... it will be for the sake of green color (irritated), too much overdone, what about thinking on the possibility of providing a single opposite more neutral area, to a lesser amount, which contrast would offer. ..
DOUBT
Ha' you heard better language? someone who wonders WHO IS ... have you noticed the title of the caption? "Her psycho-photo" ... is almost like a concept that invites us to think in the story behind, I think she does care what she's carrying in 'er hands, or place, or sense of abandonment. All matters. Pray you, observe.
Well, do you think everything goes and nothing really matters, just only for the sake of aesthetics ?, what's beautiful-stunning-scenic-pituresque, what is not ?, what is empty of content, what is not ?, is the same a glass half full, half empty ?, O, poor. For me is not the same ... obviously.
What a shame not know why she chose grapes in her hands !. Do not know if this moment means just a quick click of the camera or a stop on a long road more thought and lived, than walked. Pity my ignorance! Peace, you!
TECHO
This image does not fill me and when I have that assessment, it is no big deal. Not worth much.
DOUBT
O, my dear Techo, no one knows where value is, neither right nor wrong, all your photograph manuals are bad souls!. Books are not gods, they may be wrong. Nothing is written yet ... or there's lack of written. Everything is to be changed. How now, my Techo?
TECHO
My fine friend I'm afraid you're entering menopause (laughing out loud), no offense. We'll continue to see more, go to hell this woman and her grape, another woman with a bunch of peppers ?, right? Huh? Doubt!
You're old ... I waste my time with you ...
Laura Marco (c) 2015 - Tell Me Who I Am